The last bastion8/14/2023 ![]() “I would characterize us as psychedelic jam rock, but we’re really all over the board,” said Raul Becerra, founder and bassist for the band Tektonic from Friday’s lineup. PVJR’s final song for the night was an original titled “Buffalo,” a jam-rocky sentimental love song for New York’s capital by Bay Area natives. As the crescendo peaked, the guitarist even took to smashing his instrument, albeit delicately, in a fervent display of fierce musical passion. The first band, PVJR, kicked off the night in a flurry of strums and head banging as they jammed out to original numbers and inspired covers of nostalgic psych rock hits. “I’m kind of going back to my roots of the ’60s and ’70s and what I thought was beautiful: the poetry, the visuals, the music and the people.” “This gallery is a collage of the most beautiful part of the ’60s and ’70s,” Adler said. ![]() When asked what keeps them coming back to Art House, several PVJR’s band members responded in unison, “Harold.” He added that Art House will never enter the nightclub genre of establishment he sees his venue as a cultural center. As Adler describes, Art House is “a party house” hosting all sorts of creatives. It’s not too hard to book and it’s just the kind of local Bay Area thing that just there should be more of,” said Daniel Bromfield, vocalist and keyboardist for PVJR.įor the past 14 years, Harold Adler has owned and operated Art House Gallery - the East Bay’s go-to venue for trippy blacklight visuals, lava lamp-lined walls and an immersive callback to the counterculture movements of the previous century.Įach band from Friday’s ensemble is made up of recurring artists to Art House, as the venue regularly hosts band nights, poetry slams and multimedia art showcases. “I mean, it’s a good place in the East Bay. Members from Blue Indeed donned all-white garbs, including a witch outfit, and the band Paul Verhoeven Jaws Remake, or PVJR, played around with operatic vocals during its set. The show hosted four bands all hailing from the greater Bay Area, with each group adding a unique flare to each performance. Conclusion: The intent of this paper is to educate those in society who continue to discriminate against the obese, and to open our eyes to our own behavior, as the author's have been opened.Kaleidoscopic visuals and the stratospheric sounds of psych rock reverberated off the walls and through the crowd of concertgoers at Berkeley’s own Art House Gallery and Cultural Center’s latest band night Friday. She realized how this prejudice limits social opportunities and access of all sorts, interferes with employment opportunities, and even how deeply it penetrates the medical community. Results: Through interviews with bariatric surgeons, bariatric patients, an obese victim of prejudice in her high school, attendance at support group meetings, statements from others experiencing similar bias in their workplace as well as a review of the relevant literature, the author developed a new understanding of the extent and depth of prejudice against the obese in North American society. Methods: This paper describes a high school senior's exploration of prejudice and discrimination towards the obese. Their discrimination has been deemed, unconsciously perhaps, as acceptable by society. Background: Most people do not realize how pre-judicially damaging they behave, particularly towards the obese.
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